A Practice Without a Cover
A binding that refuses a single front: the book opens from either end, two halves meeting at an unmarked centre. The structure carries the argument before a single word does.
A binding that refuses a single front: the book opens from either end, two halves meeting at an unmarked centre. The structure carries the argument before a single word does.
A single restrained grid, reused without exception across ninety pages, so that variation in the poems is never confused with variation in the design.
Hand-drawn illustration set against a deliberately quiet page — colour restraint and a structural fold used as the only joke the book allows itself.
Recordings of rooms with no performer in them — silence treated as a compositional material rather than an absence.
A score written to be read by two people at once, at different speeds — the gap between their readings is the piece.
A notation system for music that is never performed — the drawing is the only version of the piece that exists.
Trained in fine art and music before turning to the printed page. Left a position at a publishing house in 2025 to work independently. The practice treats a book the way a score treats silence — as structure, not decoration.
Available for book design, editorial systems, illustrated and hand-drawn publications, and sound-related visual work.